Sunday, 7 May 2017

No Surprises Living in Devizes: Feeling Lucky Punk?



I can tell it’s Taser when my eyes are shut.

Okay, joke may go over the head of younger readers. You don’t see the citrus fizzy pop much these days; it’s all about electrical weapons.

Being Wiltshire has one of the lowest crime rates in the country but peculiarly police Taser usage is above national average, how does Chief Constable Mike Veale celebrate this incongruity? He gives out Tasers to any old PC Tom, Dick or Dirty Harry. And even more bizarrely his reasoning? You guessed it; it’s all these darn terrorist attacks happening in our God forsaken county.

Fear of terrorism resided over common sense, again. Take heed of Yoda’s words of wisdom this Star Wars Election Day, “fear is the path to the dark side.” With zero terrorist attacks here and the obvious effectiveness a Taser would have against a nutcase with machine gun, explosives or a lorry through a shopping mall, absurd uneasiness procures the unsuspecting masses.

I never the envy the job of the police, if there’s two muscular louts knocking seven bells out of each other in the street most would cross and walk on the other side, whereas Bobby has to go and sort it out.

The thing we need to learn is, if you’ve got a beef with another bloke that’s an issue between you both; best not involve anyone else, especially someone trying to prevent you from having your head smashed in.

Try to remember no matter how drunk, beneath the uniform there’s a real person, maybe with a family, with a life, just with a job to keep the peace; sumbuddy’s gotta.

In turn the police need to drop the condescending discourse and treat civilians as equals. Unfortunately if you’re pointing an electric-shock gun at someone, you’re immediately intimidating.

If you ask me the police need training by Doctor Who scriptwriters, cos the Doctor has been talking down entire alien races hell bent on destroying mankind for eons, never used a Tazer in any time-zone.

The police need to understand life is a struggle and our government are not making it any easier. Anyone can have a bad day and flip out, it doesn’t’ make them a terrorist; like the man killed by police Taser in Warminster in October.

Neither does throwing your pants deserve a Tasering, Tom Jones would never get through a song. But despite being caught on CCTV, the Melksham officer who superfluously zapped a naked suspect for such a petty wrongdoing was cleared of assault.

This is not NYC, as much as I sympathise with police tasks, a lethal weapon is not bridging a divide between officer and civilian. It’s a responsibility I trust with most, but you know there’s always one bad egg. My other concern is you don’t bring a knife to a gunfight; if cops are armed the robbers will match.

Make no mistake; in the aforementioned street fight scenario I’d have Tasered both rather than wrestle them. I’d Taser anyone if my boss gave me one; lucky I’m not a police officer and just the milkman. Still, Mrs Smith, you can put those away you filthy cow, if you can’t pay your two pound eight pee this week I’m going to have to Taser you.

Yeah, I’d Taser anyone; kids arguing over the best X-Box controller; I’m going up there to Taser their heads together. Local election candidates’ campaign-posting on the Devizes Debate Facebook page; TASERED. Lad tying a soiled dog poo bag to a tree in Drew’s Pond Wood; TASERED! New owner of a landmark pub suggests its ceiling needs a lick of paint; TASERED!

Dress up as a Muslim to protest against the cancelled May Fayre; TASERED! Ye gods, let’s get this one cleared up shall we? The complexities of a safety form prevented Wiltshire Council and Lions Club arranging the fayre this year; it had nought to do with Islam. I don’t know if it was satirical discord which badly backfired, but whatever was going on, it was in exceptionally bad taste.

While I never disagree with protest, perhaps the organisers of it could have concentrated their efforts on arranging a fayre instead; give it a go, see if it’s so easy. But because the tabloids went to town over the bullet-point of covering for a possible terrorist attack, no matter how absurd, some idiot decided to dress in Muslim attire. As suspected, this terribly tenacious link sadly deposits Devizes central on the xenophobic map.

Yeah this week, local Facebook group members went hammer and tongs over this, scrolling comments got as far as screenshots of Koran and Bible passages when really, the May Fayre has nothing to do with any of it.

Forgot the bank holiday is Beltane? A Gaelic festival anglicised forcibly by Christians, back in an era prior to this religion being all tea and cupcakes on the village green, but in a day when fear and terror were trappings thrusted upon heathen folk to accept the word of God or be burnt on a plinth. Irony, just a tad, we attempt to clear our town of dog poo, when there’s a lot of other fetid matter we need to sort out.

Maybe there’s the police’s confusion, the difference between a terrorist attack and a terrier attack. And not from the barking, biting end but from the depositing end. Oopsy daisy, now I’ve opened a whole new Pandora’s pooch poo bag, without the time to finish what I started.

So, it’ll be a scatological themed next week; if I’ve not been Tasered by then. I hope to chat with Wiltshire Council’s Green Party candidate Geoff Brewer who along with Zena’s CUDS and other volunteers, have been clearing Drew’s Pond Wood of littered dog poo bags. At last here’s a politician cleaning up shit rather that talking it.


Now you can relive all last year's No Surprises Living in Devizes column; ewe lucky buggers.
Fer yer Kindle:

https://www.amazon.co.uk/gp/aw/d/B06X9MQ38J/

Fer yer bookshelf:

https://www.amazon.co.uk/gp/aw/d/1326959719/ref=mp_s_a_1_20?

Fer yer ipad, iPhone thingy-mi-jig:

https://itunes.apple.com/us/book/no-surprises-living-in-devizes/id1211005380?mt=11


Sunday, 23 April 2017

The Rise and Fall of Doctor Risenfall


I’m just a young lad, been delivering this crazy old man’s newspapers for so long I cannot recall a day when I didn’t. I never see him but despise walking up his cluttered path. There’s a variety of chocolate bar vending machines in states of disrepair, heaven knows what he needs with them all, or even worse, what he uses them for.

Sauntering up that same old path again, leaving his newspaper on a pile of old newspapers, worn and yellowing; he orders them but never picks them up. It was just another day in my tedious life, until in boredom I kicked that mountain of newspaper in frustration to note they were all dated the same day; today.

This disturbed me, every newspaper was identical, today’s edition. It couldn’t be, I thought, the top one I delivered yesterday, and the one underneath on Wednesday. Anxious I bit my lip, raised myself from a crouch in confusion. It didn’t help that I sighted another newspaper delivery boy, sauntering up the path; was he meddling on my patch? No, he was me.

He looked like me in every way; he strolled past in my clothes, ignored me as if I did not exist and plonked today’s paper on today’s paper which I just laid. I shook myself, was I dreaming?

Just then the old man appeared in his ragged, stinking clothes. He held his hands in the air and cried “Eureka!” Then he noticed me, I backed off a step. That smelly old man in his filthy white lab coat smiled, “Welcome to the land where time stands still!” he bellowed.

“Oh,” I replied, “how long has it been like that?”

“Well I don’t bloody know, do I?” he simpered and with that he beckoned with bony finger that I follow him inside. Normally of course I’d refuse, but given my other-self had moved inside too I figured what the heck, I might be missing out on something here.

His house was as equally messy as his garden, broken machines rusted in corners and contraptions of a bygone era whirled and flashed lights at me. He span on one foot to face me, jeepers he looked creepy. “I am Doctor Risenfall,” he explained, tripping over live wires as he stumbled his way through the mess.

I gathered my suspicions and laid my cards on the table, “are you some kind of inventor?”

He returned an apprehensive frown, and then announced, “Behold, my thyme machine!”

Now I understood why I saw myself back there, as unnerving as it was. “You’ve made a time machine, like out of chocolate bar vending machines?” I asked in a flabbergasted manner, “Can I see the future?”

The doctor slipped some seeds in one end of the giant contraption, “No,” he answered bluntly, “I said it’s a thyme machine, you put seeds in this end and…..” The machine wailed and puffed a cloud of dust into the air, the cat hid under a table. “….And fresh thyme comes out this end; no need to cultivate it.”

“Oh right……” I replied as the machine plonked some scraggly strands of herb from its far end.

The Doctor gave an awkward sneer, “It will change the herb industry, if I can get it to work on basil too.”

He looked annoyed at my disappointment. “I’m sorry doctor,” I confessed, “I thought, you know what with the whole meeting another me, and you saying about this being the land where time stands still, that you had invented a machine which could travel in time.”

The doctor twirled and covered his face in frustration, “I once toiled with the idea of building a time machine, but it’s all in the past.”

He threw himself down on a wooden chair by a desk and rubbed his forehead until it reddened. “Oh that’s a shame, be wicked that would, a time machine,” I offered, “but a thyme machine, you know, pretty cool as well.”

“Oh I did invent one of them too,” he waved an arm randomly in the air, “but I never use it.”

I followed the direction of his arm with my eyes and there, covered in dust and cobwebs stood a vending machine converted with wires and beeping gadgets hanging haphazardly from it. I wandered over to it and noted on each arm of the vending machine sat a separate glowing globe. Images from within the globe, as I drew my eyes level to them, depicted an animate display of a bygone era. One was of a Victorian street, another with a castle and lastly, one with dinosaurs roaming around. I was awestruck, “Oh wow, that is so cool; how come you never use it?”

“I was going to be famous,” the doctor groaned, “it could have revolutionised the travel industry, confirmed historical reports and given man a chance to amend past errors, but there was no future in it.”

“Can I borrow it?” I asked, well it was worth a shot.

The doctor gave a suppose-so shrug, “If you bring it back by yesterday.”

This was freaking awesome I reckoned. “How does it work?” I asked.

“Just as a conventional vending machine, put your money in the slot,” informed the doctor, “and make your selection.” 

Without thinking I fumbled for change in my pocket and scanned the spheres of time, wondering which one I’d like to try. I spotted, above all, one which displayed a grand Edwardian hall where dancers pirouetted and chortled; a period of history I always admired. So I made my selection, pressed the corresponding code, B56 into the panel and held my breath.

The spindle began to twirl, my excitement bursting. It pushed the globe and I shrilled with delight. The doctor swung his head from side to side and scanned the contents of the table.

Butterflies developed in my stomach as the globe began to fall towards the collection slot; what will happen, will I find myself back in that era, what will it be like and will I be able to get back? So many questions I hadn’t cared to contemplate before flooded my mind.

“This was my only problem,” sulked Doctor Risenfall, “the idea was ingenious, the design faultless, just the damn……”

I ignored his moping, too excited to listen. The globe dropped but got stuck between a protruding globe and the glass cabinet. “NO!” I cried and attempted to push the machine.

The doctor continued, “…….mechanism.”

I slammed my fists against the glass, I kicked the bottom, I wobbled the machine but the globe wouldn’t budge.

“It will not work,” informed the doctor miserably.

I dug my fingers to the bottom of my pockets but could find no more cash. “This cannot be,” I muttered, “it has to work.”

“Oh it works alright,” sighed the doctor.

“Hold on, you said it didn’t.”

“When?” asked the surprised doctor.

“Just a second ago,” I informed him, crazy old man.

 “Yes, that’s the point, seconds,” he sighed, not looking up from his table.

I didn’t need this foolish madman, I had newspapers to deliver. “I’m coming back tomorrow……”

“No you’re not.”

“…..to give it another go,” I declared.

“Sorry,” the doctor sighed, “I was once as optimistic as you, which was tomorrow.”

Now I was angered, “I can’t leave it like this,” I told him in no uncertain circumstances, “I have to try, have to see if it’s possible.”

“Oh it’s possible alright, but it just gets stuck, none of the time,” said the doctor, still unmoved, “you can try again, but it won’t be tomorrow.” Slowly he stood up, sauntered over to me and faced the machine. He pointed into its left hand bottom corner and I again followed the direction of his bony finger. There was a globe already stuck close to the bucket slot.


I crouched and stared into the sphere. I saw a young boy delivering a newspaper to a dilapidated house. I gasped; it was me. 

“Welcome to the land where time stands still!” he bellowed. 

Saturday, 1 April 2017

All Fools Day.......

Brexit reminds me of Terminator 2, when they bust into the home and destroy the study of the scientist who created Skynet, Sarah Connor narrates they face the world with an uncertain future for the first time. There’s a degree of optimism at that point in the movie; wish I could say the same for how many feel in the United Kingdom.

Recently I’ve been pondering writing about Brexit on my local rant column for Index but I’ve been instructed in the past to avoid the burning subject, plus I have to uphold it to a local level. So I posted on local Facebook pages for opinions on how the change will affect us on a local level and the response was minimal. Leading me to conclude either no one gives a shit, or really knows; I favour it’s the latter.

That’s the issue here; no one nationwide really knows the outcome. Everything you read is wildly bias speculation. So I flavour bringing my wildly bias speculation to the table, apolitical, just plain old, ready-salted how I feel.

One comment on the fox hunting episode I wrote for the column said, “….that is ill informed and biased. Much rather read a balanced argument that draws a conclusion,” which kind of defeats the object of writing an opinion piece, which is what “no Surprises” is after all; fucking pompous savage twat.

How can I not mention it when it’s on every lip? How can I balance this argument when I feel so bitter about the result? I’ve tried to remain optimistic throughout; I try not to fall into the pathetic “remoaner” banner, and honestly I hope it works out, pondering there may be a few fair points to be made in the leave campaign. But the reasoning for leaving has been high jacked by lying right wing bastards, patriotic to the point of xenophobia and generally makes me ashamed to say I'm English; which I’d never imagined I’d say.

I fantasised this new century like The Jetsons, little flying cars and conveyer belts taking us through a bubble city where everyone is at peace. What a naïve fool, take me back to 1999 to start again. 
So the country has never been so divided, thank a pig shagging deserter for that. I search for sanity from the other side of the argument but cannot see it through flag-waving idiots who only voted to clear our country of brown skin or were suckered into believing the outright lies of Nigel Farage, which although he openly admitted he bolshily bullshitted the nation in front of billions on TV, still they salute him because he's British enough to be seen downing a pint in a pub at any available opportunity. The idiotic irony makes me sick to the stomach, let alone allowing it to motivate me to write a “balanced argument.”

Please, I beg the ones cringing when reading this and not the pre-converted, try get your thick skull around this; Farage talks absolute crap with or without pint in hand, and like his American President bum-chum he openly admits it, and then rubs your face in it. And still you worship the ground he walks on; he's pissing a puddle behind him and you blindly lap it up. That then is the crucially cringeworthily reason why I fear the outcome of the battle-axe triggering the fucking wretched article 50. I’m not moaning for nought.

Or maybe I’m just in a tetchy mood for no reason, but that’s just so not me. In fact not for the want of trying, the only comment I've read in favour for accepting the decision which made sense, maybe, was "when we went in I voted against it, had to accept we were going in at the time."

Yep, we have to respect democracy, when it’s not based on complete selfish bollocks, and we have to respect the opinions of others, based on lies or not, but this was in 1973; if you're a baby boomer old enough to vote at the time, nowadays you’re old enough to have built a financial base, from the assistance of a Tory government who backed the free market, yanked us out of recession with an iron fist rule, downtrodden working classes, came very nicely out of the era of prosperity and pulled the ladder up after you.

To me, without sounding ageist, their opinion only matters for a few years of free bus passes, when the ones really affected by the change didn't even get a choice. Had the government allowed under 18’s a vote on this one critical issue, you know you'd have a very different result.

I covered on Index prior how youth today are articulate and sensible enough to cast an opinion and interviewed ones from a group who have more political knowledge in their little pinkies than me, you and definitely the current government.

I estimate most remainers are parents who fear what it’s to become for their children's future; how the fuck can that be pointless whinging? Let's face it, every time she uttered the word Brexit, prior to the triggering of article 50, we saw the pound crashing to a further all-time low; subtle omen?

You have to understand, it's not Churchill's government, not even Thatcherism; she was for the free market. It's a just a sad, old stubborn bag-lady who is only in it so her husband's tax-avoiding financial dealings are protected. You have faith in her? I don't believe you anymore than I believe she has a Scooby-Doo what she’s doing. To think you can leave a club then dictate the rules regarding how they react to it is pure idiocy. Europe will decide how and when to deal with us, and it's not going to be pleasant being we've stitched them up by pulling our fairly secure economy out of the club.

If I left the cub scouts and my mum stopped the direct debit, could I still brashly smash through the doors, tell everyone I want my home-help badge and expect to be taken seriously? No, cos I left the fucking cubs. Sort your woggle out Mrs May.

So we’ll deal with this complete mess by, apparently "pulling together" how can we pull together in a crashing market which only benefits multinational corporations and sends small business to liquidation and its lower class to hell? How am I supposed to even pull my coat around me to deflect the icy blast when the buttons have fallen off and I can't afford a needle and thread?

When we look at a child’s history book covering either world war we think “how could they have been so stupid not to see it coming?” As that generation dies we forget what they fought for, they fought not for Britain but for a Europe without fascism, yet fascists exploit war imagery as propaganda; protecting poppy sellers from a Muslim attacker; it’s an insanity that’d turn our grandparents in their grave.

These people need to time out of verbally assaulting people on trains and read a fucking history book, for they will see no example of where fascism did anyone any good, ever. But of course they need not deter from their actions when encouraged to do so by newspapers; and now feelings like the government is giving them a licence to continue.

The war generations didn’t see it coming as the trouble didn’t erupt like a volcano, it was gradual, just as these turn of events we live with today; the plastic melted figure of He-man standing as President of the USA with his blatant racist agenda, the movement of right-wing politics sweeping the developed world, a Russian psychopath, the breakdown of the United Kingdom and religious extremism from both sides. And the follow-like-sheep policy of our own government, hoping Uncle Sam will give us a trade deal, cos no other cunt is.

You’re not getting your country back you fucking brainwashed idiot; it was never yours to get back. They will get it back; to do whatever the fuck they want to do with it; the repeal bill proves it much in same way the banker’s cockup proved the financial collapse; they stood there and admitted it was there fault, blew a raspberry in your face, stuffed all the money in their ears and waited for the taxpayer bailout; still you insist to blame immigration, because that’s what a racist media tells you to do.  

Face it, get off your high horse and lower your union jack (it'll be a flag only seen in history books soon) and wake up to the notion the chances of this working out best for Britain is nil to nought. One perpetrator (or traitor) who admits freely if it doesn’t work out for him he’ll take the cash he’s stolen from the poor and move abroad, despite supposing to be a xenophobic bigot, it must be your round soon Farage? No, oh okay. That is how low and selfish the people you follow are.

The best we can hope for is that, under the repeal bill they are kind enough not to reintroduce a Henry 8th style rule and bring us into an era Orwell warned us of, but I doubt it, it’s what they want; mass control and absolute power. An era where fairness and equality is void, where institutions based on non-bias entertainment, like the BBC, are but government service announcements, where only the rich can afford health and the poor die in their own shit, where the NHS is a fleeting memory.

The making Britain great again slogan is alright, if the Great, like The Great War, isn’t the same definition as we’re making it. It is “great” as in big, an empire, built on theft, hate and genocide. A burden we all carry across our beautiful country and it is a beautiful country and I love my country; only difference from me and the supporters of the right wing is I care about the people living in it. I cannot see the problem with that.

The Great in Britain should be that we’re educated and intelligent enough to have learned from our mistakes and strive to ensure they never happen again; chew on that while you’re in the bread queue in a few years’ time.

There’s nothing unpatriotic in this, in wishing the best for our country. Simply because I’m pessimistic about the current decisions and the ability of the current government to sort it out, surely makes me love my country more than someone aiming to destroy all which is good about it, yeah? No? I hope you don’t need the NHS anytime soon, bleeding nig-nogs working there I tell yer, "get yer hands off me foreigner and stop saving my life!" 
  

I’ve had enough of turning, twirling Theresa May; I didn’t vote for her, nobody did. It’s time for a vote of no confidence in our government, a general election and of course, a second EU “bullshitting free” referendum. Or else we keep calm and carry on, suffering in our own reserved fashion, gawking at EastEnders with a microwave sweet and sour chicken on our laps; Rule Britannia. 

Saturday, 25 March 2017

Prejudice Assisted Pop

A Lambretta scooter propped up against the railings on the Brunswick Docks awaits the return of its owner. A young, upper-working class guy, attired in an Italian suit scans the flotsam washed upon the shore. He’s hunting vinyl, the London fashion of Mod culture still in its infancy here in late 1950s Liverpool.



Succumbed by the beatnik adoration of French philosopher and playwright Jean-Paul Sartre, the finesse of an Italian lifestyle and the melodic African-American rhythm and blues, these youth, jaded with the dowdy status-quo, breach the chic coffee-bar culture and combust a fresh subculture progressively to commercialisation.

Unlike the pubs with strict closing times, the bohemian coffee-bars are lively until the early hours, part of the attraction for the early mods. The jukeboxes are occupied with jazz; the “modernist” youth though crave a raw rhythm and blues. Dancehalls in England’s cities are yet to cotton-on; the house party, with an ethos of “bring your own records” is the trendy way to congregate.



The only way for our beachcomber to impress is to find American R&B records, discarded from transatlantic vessels; vinyl is not cheap and seldom the genre obtainable.

The records have been jettisoned from mess-hall jukeboxes of US Navy ships by Caucasian country-and-western loving servicemen who do not favour R&B, the era of segregation awards them superiority and the right to rid their vessel of “black” music.

Ironic and shameful to think these days, with perceived equality in the music industry and campaigns like Rock against Racism, that in substantial quantity, racism has assisted the spread of musical styles and shaped what we now know as pop music. Undoubtedly but sadly I consider, pop music would not sound the same if it wasn’t for the very thing it’s supposed to reject; racism.

Now please do not misunderstand me, quite the opposite from condoning racism I despise it, but akin to the development of computers via the WWII Enigma code-breaking machine, perhaps some good has spawned from a terrible thing.

It backfired for right-wingers, attempting to stall the merge of musical styles in line with their discriminatory views; it incongruously spread the idea across the globe through a rebellious generation.



If it wasn’t seen as outrageous for a white country-boy to sneak into negro blues dances, maybe the young Elvis Presley wouldn’t have, and the archetypal American folk wouldn’t’ have seen a white man offensively  gyrating like a black-man on television and thus, rock ‘n’ roll may had never seen popularity.

Through all criticism, the watered down rock ‘n’ roll of  conforming artists such as Pat Boone created admiration for blues and black rock ‘n’ rollers from his largely white audience through his plagiarisms of original sounds.

Fats Domino showed a diamond ring to the crowd at a concert in the 50s, announcing Pat Boone’s version of “Ain’t That a Shame,” paid for the ring. Even if Boone wanted to change the title to “Isn’t That a Shame,” radio listeners liked it and ventured to find its roots, discovering black R&B.

Now the duel-race citizenship of rock ‘n’ roll will shake the foundations of pigeonholing xenophobic Americans.




Similarly back in the UK, if the US Navy didn’t discard records because of their racist ideals, the mods in the northern cities may never have discovered the soul sounds which hatched the blues-inspired Mersey-Beat scene, a cradle for the most influential pop band of all time; The Beatles.

The Northerner’s love of R&B and early soul christened a later genre when they ventured to London to search for such records. In jest the staff in the record shops put the older tunes aside for the northern customers, labelling them “Northern Soul.” A name-sake built on north-south divide prejudices.




As we’ve discussed records didn’t come cheap, but if you only have to pay royalties to third world artists the price can be cut significantly to persuade people out of your target audience to purchase them. This is true for Trojan Records who in an attempt to cater for the Jamaican immigrants in London priced their records accordingly.

They bought cheap licences from Kingston’s Studio One and Coxsone Dodd to create the compilation album series “Tighten Up,” but because of its respectable price-tag, the white mods bought them up and thus gave birth to a second wave of reggae and ska, in a unique British fashion; so emerged the “skinhead,” with an appreciation of all things Jamaican.



But reggae was still considered “novelty” music and not to be taken seriously, a prejudice Chris Blackwell would put to rights when deciding to dispel the myth and sign Bob Marley and the Wailers to his Island Records label.

Similar to Pat Boone plagiarising but therefore assisting the attention of a wider audience to black R&B artists, Bob Marley and the Wailers found a universal audience in the 1970s through Eric Clapton’s cover of “I Shot the Sheriff.”

Bob Marley’s intelligent lyrics would pave the way not only to superstardom but spread reggae globally and enhance the career of other reggae artists. Richard Branson assigned Johnny Lydon to take a holiday to the Caribbean island and sign as many reggae artists as he can to Virgin; lucky punk.

This is reggae inspired by the wisdom of Rastafari, a faith in the emancipation of black slaves. When these revelations first came to light at the crowning of their god, Ethiopian king Haile Selassie in 1930, the Rasta’s were viewed by the Jamaican government as terrorists and after they flocked to the shores expecting Selassie to have called upon the monarchs of countries that profited from the slave trade to provide them with ships back to Africa, they were pushed underground for some time.



It was only after the rude boy culture of 1950s Kingston caused the government to enforce a curfew that the cultivation of marijuana trade blossomed, introducing youth to Rastafari. Prior to the trend Rastas were viewed as hermits and "Blackheart men" (bogeyman.)

This is why the music slowed from ska to rock steady and then to reggae. Without the racist slave trade then, we wouldn’t have reggae or its influence on modern pop; from dubstep to Sean-Paul toasting over Little Mix tracks, and possibly, all hip hop, punk and two tone ska.

Meanwhile reggae’s predecessor Ska, with its up-tempo brass style, breathed again, but Two Tone’s bitter undertones were a haven for nationalists to build an army out of disgruntled youth in a Britain obliterated by recession. Racism killed the scene off just as it reached commercialisation, preying on Pakistanis initially and progressing to an ironic hate for the Afro-Caribbean immigrants who gifted them the music in the first place.



As it is with all fading youth cultures diluted with commercialism or ironic hate and racism, the death of the skinhead movement would only be replaced by a new ethos to be exploited by mass media. 

The first I knew of Americas separate pop charts, divided by colour, was when George Michael touched number one on the “black” chart in the USA with his album aptly titled “Faith.” For us in the UK there was only one chart and we tended not to separate them. Still soul broke borders in the 1980s, ask Vanilla Ice.

Maybe the bottom line that most modern musical styles originated in the US is because segregated ideals challenged new genres to develop. Of course I could consider the birth of hip hop actually stems from the New Yorker Kool Herc and his innovative DJ skills, who originally emigrated from Jamaica where, just like pioneer producers King Tubby and Lee Scratch Perry, was the proud owner of a sound system.

Dub reggae not being New Yorker’s cup of tea caused Herc to experiment with funk and soul music, moving into a miss-mash of differing styles. However, to argue reggae mothered hip hop is to neglect that American R&B inspired reggae’s older brother ska; swings and roundabouts.



I was in awe of BBC’s early 1970s TV program “Tomorrow’s World,” when a group of Germans, stiff as posts and nerdier than Walter the Softy; Ralf Hutter, Fritz Hilbert and Henning Schmitz made music entirely on computers; it was an abomination for the elder generation but we, the kids, knew Kraftwerk was a vision of the future.

It took the creative genius of Italian, American and British artists and producers to tweak the new-fangled technology and create a soulful or spritely sound. Giorgio Morodor showed us how computer generated music could change funk into disco with Donna Summer’s “I Feel Love.”

Afrika Bambatta, Arthur Baker and Grandmaster Flash spurred Electro and hip hop in the US, whereas the more British punk approach saw the development of a fresh electronica sound, birthing New Romantics, and bang, we had New Order, Joy Division, Duran Duran and a plethora of electronic pop icon posters to pin on our walls.



Disgruntled with the immediate debasement of technology by “Hit Factories,” such as Stock, Akien and Watermen, again the next generation sought a way of keeping it underground and England blessed the Chicago-based sound created at nightclub, “The Warehouse.”

House music was the epiphany of racial unification, rather than being a youth culture with uniformed style and sound, it was akin to early hip hop, a musical melting pot where anyone was welcome to bring in their influences and calmly discuss them over a bottle of water and some chewing gum.



The burgeoning rave scene did break down barriers; a euphoric psychedelic experience was enough even to dull down football violence in the 1990s. Surely racism did not stand a chance now. But the “hardcore” sound of rave divided equally into Drum and Bass/garage, largely reggae inspired sounds for a majority black audience, and “Happy Hardcore” driven by sped up BPM madness and smiley-faced white kids. I recall those kids defining D&B as “Jungle music.”

Still though it was more unified than previous youth cultures which sought to fight out their differences; mods and rockers, skins and Teddy-boys, as while there was an alternative to bleeping repetitive bleeps, it’s term coined from independent labels, “indie kids” and ravers kept themselves to themselves; ravers too obliterated into their own scene to even realise there was an alternative until the likes of the Prodigy, Chemical Brothers and Fatboy Slim aligned them again.

Truth be told, indie developed from the raving Madchester scene which bought us Oasis and the Stone Roses.



If you compare a free party’s “trance” sound to an African shamanic drumbeat in which the trance it produced acted as healing, the last great youth culture, the raver, has bought it full circle; all aforementioned genres stem from folk music, different geographical places mean different instruments but still, it’s all the same. The only fresh concept the rave generation really blessed us with was the technique of using technology.

So, make some folking noise.

Of course now there’s a washy insignificant difference between pop styles where acoustic sounds seem to influence or electronic R&B thrives, a world where a rap, ragamuffin or hip hop fashion, can be slotted into any track and with that the idea of discriminatory concepts being involved is thankfully uncommon, but the roots will never be wiped.

For today’s downloading, twitter generation who listen to identical tinny beats through a phone’s speaker, and where street dance is taught in COE primary schools, it’s a far cry from the image of our mod beachcombing for records washed ashore by racist American navy servicemen, or a Caucasian dancing like a “black guy.”

But as our stable world crumbles before us and right-wing politics appears back on the agenda its possible influence on music concerns me.

Last year’s 50th anniversary of the Country Music Awards sustained a grave repercussion in Trump-favoured Tennessee, when Beyonce performed alongside The Dixie Chicks, racial tensions in music clearly hasn’t evaporated. After the show raging racists took to social media to express their abhorrence at a black artist appearing on a show clearly perceived as something wholly “white.”



How erroneous these idiots are, if they love Country music they should see beyond the contemporary redneck, Confederate Flag connotations, their style of music belongs just as much to African-Americans as Caucasians. Despite the African-Americans probably wouldn’t admit they listen to modern Country, the very essence of country is rooted in their culture. The notable instruments of which, such as the banjo and fiddle, were formed by African-Americans.

And so the world turns on its axis, history repeats and the beats go on; music is supposed to be an escapism, a moment to let ones hair down and enjoy life any from niggling issues; in order to do that you can consent its history lays in prejudges, but try to celebrate its cultural diversity instead.




Monday, 13 February 2017

Ye OldeBook Shoppe Pt5



 

Ye OldeBook Shoppe Pt5

Armageddon Time 

Darren Worrow
A few years ago an author suggested I join a Facebook group called the Book Review Depot. The idea being you purchased six selected books and reviewed them. Then, once complete, your own wares could gain access to the “active list,” and you’d receive sales and reviews.
It sounded like a plan and a great way to network. I met some great authors but sadly, the group fell into disrepair; perhaps due to too many people joining or some trying to mimic the idea for their own profit, or maybe it was me ruining the neighbourhood; the latter most likely.
Anyway, one book I picked was a fairly lengthy read and once done I announced its completion to the admin, only to find out I totally had the wrong book , this one was not on the list, or even known by the group; d’oh!
I tried to appeal, but them were da rulez; the admin were like mafia (not really.) Still, I shrugged; it was a darn good read! Enough to skim onto my on-going bucket list of self-published books to read before you either die or go buy a book from a big publishing house.
 

Of the steampunk genre, it was called “Walking,” and part one of the “Clockwork Twist,” series by Emily Thompson.  Not for the sake of interest, just purely due to time I admit I’ve not read much steampunk. I love ninth art legend Alan Moore and savoured in the eleventh Dr Who series, with its gorgeous Victorian portrayals but still, I’ve not got the googles yet.

As the genre matured it developed meandering tangents but, if you’re undecided, I’d recommend Emily Thompson’s uniquely designed fantasy world, wrapped neatly under her own banner of “clockpunk.”

It combines a geographically diverse universe of classic mutations, creatures from anthropomorphised spirit guides, vampires and some truly original creations, of which the protagonist is of no exception.

The clockwork professor “Twist” has a completely original persona and a magical power which sees him headhunted by airship pirates for a mission to fix a clockwork princess. Whisked out of his hermit life in the dark, dank streets of Victorian London he takes off unwittingly on a Gulliver style adventure.

Despite its setting and fantasy element it’s not written in an archaic style such as Verne or Dickens, rather it reads contemporary, verging on modern American TV series.

The only area it irritates is by the relentless usage of “said;” no one here seems to yell, shout, bellow or whisper. With an extensive arsenal of vocabulary at her disposal, it was overlooked by the author. A minor criticism you ride out due to the original concept of the book, its engaging fantasy, unique in popular style and reads without riddles.
 
Even though I feel like a window-shopper at the steampunk store, doubting I’m trendy enough to enter, I still enjoy traditional apocalyptic themes in sci-fi ; more popular than beards for 20 somethings, and if you’re looking for something completely faultless and original in this area, I cannot recommend Iron Mike enough.

It’s one I intended to get while the book review depot was still active but maybe the title put me off, as here in the UK the term “Iron Mike,” connotes the nickname of boxer Mike Tyson. You could double-check, but I’ve done it for you and can confirm this read is definitely not a biography of Mike Tyson!
It is in fact, the first book I should have picked from the review depot scheme.
Iron Mike in the States is slang for men who are tough, brave, and inspiring and now a de-facto for monuments commemorating servicemen of the United States military. Patricia Rose’s magnificent novel has a militant side, the protagonist coming of age during an alien invasion and learning the worth of human life, but it has so many other key elements which make it stand out from the rest.
At the beginning I was dubious, unsure if this was going to live up the hype. It read like many, aiming to be an adventurous movie script. Stick with it, because as the story develops it sucks you in like the alien vegetation which cultivates across the land.
The narrative is interesting, using a different character’s POV each chapter is no innovative notion but Patricia weaves it into some fascinating junctions. Yes, we have Mike and we have his love interest and the militant man struggling to keep command under pressure, but the point of view of the dog Hershey brings it something special, down written to reflect the mind of a domestic dog attempting to understand what is going on is sublime.
Where Iron Mike soars above and beyond your average story striving to be a Hollywood blockbuster is where we get to read the POV of the invading aliens too. I often argue HG Well’s longstanding War of the Worlds has a far better plotline than the popcorn-munching mush of Independence Day. Rather than having humans triumphing by Jeff Goldblum breeching the mothership and Will Smith punching aliens bare-fisted, in War of the Worlds the Martians overlooked the simple element to life on Earth; bacteria. This unpretentious twist may not appeal on a big screen but you’ve got to admit, it’s far more likely and ingenious.
Iron Mike goes one better than this, and for a book I doubted at first going one better than HG Wells leaves you putting the book down at its end and nodding a “wow.” You see, while you’re fighting the aliens alongside the heroes in traditional methods, this alien POV is building a political system within the extra-terrestrial social structure and its regulations needs a campaigner for moral justice; this is where Scientist-Farmer glides in.
It leaves us with a truly original, breath-taking finale, one where you now realise what all the fuss was about with this book and one which makes you glad you stuck with it. I cannot recommend this read enough, digest, enjoy and relish this unique story.
I did have one more book to mention here but I’ve used rambled on far too long and Mulp with have to wait until next time. For now, keep reading!
 
 

Sunday, 12 February 2017

No Surprises Living in Devizes: Crying out Loud





No Surprises Living in Devizes

Crying out Loud

 
Darren Worrow
 
 
You lucky people; been cutting a fine deadline, writing your least favourite causerie as I’ve been gallivanting again; so I hope you appreciate the last minute blood and guts I’ve emptied over it. The question being, whose guts are they this week?
The intention was to continue the subject of youth making a positive difference. From afar I admired the shared video of extraordinarily talented Arthur Plumb, doing his fire-juggling on a unicycle in the Brittox and Bath. Arthur is out to promote his skills for booking at private occasions, let’s get behind this lad (but not too close when he’s on his unicycle.)
I figure this is going to be a walk in the park, there’s so much to cover on this “kids rock” theme. Then, oh dear me; I go away for five minutes, look what happens. Who’s been letting the side down? Teenagers accused of arson on a toddler’s slide in a playpark perhaps, others hurling snowballs at swans, or the “grownup” local MP supposed to be setting a good example?
I was flabbergasted and mesmerised with Claire Perry, standing against her Bory party this week, blathering cringeworthily comparisons; hysterical Brexiteer MPs as jihadists, they made her narcissistic scoffs on Twitter seem tame.
It was more irrational outburst than a cheap-shot rebellious kvetch, her only intention seemingly to earn a permit to appear on the tele-box. Did you catch “the World According to Claire Perry Show,” with guests including David Dimbleby, incorrectly scheduled by the BBC as Question Time? She fumbled humble pie but it fell on the floor before she had the opportunity to eat it.
Wow, she can unleash some serious drivel. Certain she had all the answers, to everything, her omnipresence brashly drowned the entire panel and audience, with rude interruptions, tactical equivocation and broad fibbing through her teeth. It was a shameful show leaving me embarrassed to confess she’s our representative.
At only six minutes in I felt my stomach churn when Claire explained the issue of Syrian refugee children. In a chinwag with the home secretary apparently there never was a number suggested, despite rash Dimbleby quoting a figure of three thousand from the original immigration act of 2016, which was quickly dispatched by her majesty as codswallop. She continued unabated, “all children put through such a horrific situation would be given as much support as we could give them.” Thus the blame she turned to councils that refused to accept more.
Now I’m confused, is there another Claire Perry MP, who back in April signed a rejection to the amendment accepting three thousand Syrian refugees who landed in mainland Europe without parents or guardians? Claire blatantly avoided the question by celebrating Britain’s previous track record, rather than focusing on the issue now.
Nauseated I felt the need to skip the NHS debate, such a delicate subject at present I fear I’ll end up on a bed in a corridor if I continue. Nothing more than lack of government funding is crippling the health care system, because this regime are hell bent on terminating our only establishment which remains the envy of the sane world. Underfund it so everyone thinks its closure doesn’t matter; it was dysfunctional anyway.
I got home from a major hospital in East Anglia, where nearly all patients were Caucasian British, and nearly everyone slaving through extended epochs to help them were foreign, only to watch an opinion piece by a contemptuous old fart stating the BBC was bias, blaming immigrants taking up beds. It’s pathetic ironic dribble of the highest order. The kind Jeremy Hunt sniggers at behind closed doors.
I’m sorry Claire Perry; while you support this corrupt government you don’t represent me. While financial backing is needed in so many areas of Devizes from healthcare to potholes, I cannot abide the cash spent on splashing your smirking face on campaign posters in a constituency of full-gone conclusion conservative dominance.
Obviously she seethed through opposing opinions from Labour MP Owen Smith and blanked leftie folk singer Billy Bragg, but she even chose to ignore senior obnoxious cow, Anne Widdecombe as she threatened to pop Claire’s ego-bubble with the stern waving of a pen.
You’d have thought she’d have respected Widdecombe, who was conniving in Parliament when she were mere fagging in Brasenose. See how Anne expertly scoffed in the face of a teenager who pointed out Brexit was not proportionate as she was under voting age during the referendum.
I’m with Whitney on this one, I believe children are our future, teach them well and let them lead the way. While we roll out the red carpet for an orange American chauvinist, we reject desperate children who could be nurtured to upstanding citizens of our future; acting like this AND expecting youngsters not to throw a snowball at a swan, oh my years.   
The ones who burned the slide should try to recall a time when they were toddlers and enjoyed swings and slides, don’t mature sharing our generation’s selfish attitude; you have your own mind; use it.

Sunday, 8 January 2017

No Surprises Living In Devizes:

No Surprises Living in Devizes

Getting Foxy

Darren Worrow


The year of our Lord, 2010; I find myself amidst an impenetrable crowd of buoyant rural folk hither our nation’s capital, contemplating this city hath never seen such a horde of bumpkins descend upon it since the Countryside Alliance march of 2002. Misfortune the outcome of both affairs; this occasion Paul Robinson scored at the end of the first-half, leading Millwall to a one-nil win against Swindon in the League One play-off final, whereas, rightfully, The Hunting Act was passed as law in 2005.

Although there were various mini-issues to the protests; protecting British farming, rising fuel costs and the right to wear green wellies on a dry street, it was and will always be a method to boost numbers rallying for the right to brutally slaughter innocent mammals in the most bloody-thirsty means possible.

Thanks to the “Countryside Alliance,” city-dwellers believe the countryside is united under one flag; one fox-blooded flag proudly waving against the winds of change. However, while most approved the mini-issues, no other subject has divided country folk more than the notion we have the god given right to tear animals to shreds for the mere thrill of it; can you guess which side of the fence I stand yet?

Start the year as you mean to go on; I’m on a wind up because, despite its illegality, thousands gathered on Boxing Day, no better than heroin addicts, to blatantly flaunt the law and, just like their children, they rub the blood in the face of anyone who might feel it slightly unfair on the fox by unveiling their crime in the native newspaper, as if what they did was acceptable behaviour; shame on the Gazette for passing such conceited pugnacious dribble off as an innocuous pageant.

Don’t get me wrong, I’m no tree-hugging, bunny-loving beatnik, I just don’t understand the attraction in the barbaric and pompous act of fox hunting. So you’re not flabbergasted by their articulate defence upon meeting snobby barbarians, which is inevitable around these parts, I wanted, not to pledge my case against, but merely outline the facts regarding hunting foxes, so you don’t get weighed down with their timeworn but privately educated excuses; fair enough innit?

Foremost, the average hunter will tell you what they do is legal and on the surface they’re correct. The flushing out of wild mammals as vermin and humanely shooting foxes are exempt, coupled with the laying of an artificial scent for hounds and heroes to pursue. Who are you trying to kid? Who stops them should the vague law “accidentally” be encroached? Like the enemies of Michael Knight, these criminals operate above the law.

Fox hunting is not about culling a pest. Why would you breed a pest? Yep, blowing this pathetic excuse out the water is simple, for foxes bred in captivity have been discovered on many hunting estates. Even worse than hunting a wild fox, they release their unwanted pets and for just a brief moment the fox has a taste of freedom, a freedom it’ll never know. Then, it’s chased in the most terrifying technique conceivable until, nerves shot and physically unable to proceed, hounds leisurely tear it shreds. It is not, as suggested, killed quickly. After the petrifying hunt they withstand abundant bites and lacerations, so too do the hounds.

“The fox has a fair chance,” they drivel. This one interrogates its term “sport.” Sport is competitive; look it up in the flipping dictionary. If I bricked up my goal prior to the football game you’d accuse me of cheating. A Fox’s natural means of escape is to hide underground, why then are burrows and badger setts deliberately blocked up prior to the hunt?

“Foxes are vermin,” because the simple erection of a secure electric fence has never been conceived until just now; I need to patent that. Besides the fox’s favourite tucker is rabbit and they breed like, well. Eliminate the fox; you got yerself a rabbit problem. We share this planet with other species; get used to it or tally-ho to Mars.

The most hypocritical excuse, “foxes kill for sport.” They bury excess spoils for consumption at a later date. Should you have to hunt to feed your family and were fortunate to break into Ginsters one night; you’d take all the chicken and mushroom slices rather than only what you need for a quick snack, for Ginster’s security guards will be on the prowl tomorrow. Chicken carcasses are left in coops when the fox is scared off; unable to pop down Morrison’s for a chicken chow-mein ready-meal for one.

Certain this week’s column will face heated debate, which is dandy; but please, don’t try to convince me otherwise. This is my opinion, an opinion shared by the majority, that is why it is law; democracy yeah? Nothing you can say will cause me to change my opinion and therefore your time spent spouting manure will be pointless; capisce? 

Tuesday, 3 January 2017

Introducing Sheldon!

Introducing Sheldon!



When I started my milk round I’d have to check through my folder every few minutes to remind myself of the following customers who required milk, as each day is different. Now days I don’t need to refer too often, memorising parrot fashion. I was on Church Lane, in the village of Woodborough when I checked, noting I had only one house called “Sheldon” before the stop at the garden centre. As a quick reference I said to myself “Sheldon, shop.”

Well, the phrase rang a miniature bell in my peculiar bonce, thinking it sounded catchy I dreamed up an idea for a children’s book; in a pet shop, a bulldog called Sheldon is under the illusion he is the boss. By the time I reached the house the character was foggy in my head and a minute later, upon reaching the garden centre the plot had unfolded before me; I even remembered to deliver the milk too!

I wrote the story in rhyme; it’s fun, cheeky, with a moral. I pondered the idea but put it on the back burner, aware children’s books are tricky to self-publish and market. I read it to my daughter, probably my toughest critic; she liked it. I passed it to authors Heather Osborne, Sarah Hill and Robin Rowles; the feedback returned positive.

Now I am delighted to be at this stage, the original mailed to the publisher’s editor and I have convinced the most amazing and talented local artist Clare Brookes to illustrate it. Here is a secret sneaky exclusive peek; a mock-up of a page, a prototype of how I’d like it to appear, with Clare’s beautiful rendering of Sheldon and friends.

A new direction for me then; I can write adult junk till I’m blue in the face, but really, deep down, a children’s author is my dream. Kids love stories and books, they influence their imaginations, in a mechanism most adults have sadly lost.

I’d like to thank everyone involved with the project so far within this announcement; fingers and toes crossed for us.

Until the next update please check out Clare’s Facebook page:  https://www.facebook.com/Clare-Brookes-Artist-1351164458228619/?pnref=story And if you are around the Bath area she has an exhibit running for a month from 14th Jan at Bathford café/gallery. 

2017 here we come!